In appreciation of Chola murals - Commingling of emotions by PS Sriraman


The Tamil Heritage Group is proud to present two talks on the
The Chola Paintings in the Brihadisvara Temple in Tanjavur
By Thiru PS Sriraman
Talk 1: In appreciation of Chola murals - Commingling of emotions
On 2-5-09 (Saturday) at 5 PM

and
Talk 2 : In appreciation of Chola mural: A close look at the panel of Episodes from Sundarar's Life
On 6-6-09 (Saturday) at 5 PM
Both talks would be for about 60 minutes.
You and your friends are cordially invited.


On the talks
Talk 1: In appreciation of Chola murals - Commingling of emotions
Calambur Siavaramamurthi, succinctly captures the greatness of the Chola murals. “If expression has to be taken as the criterion, by which a great art has to be judged, it is here in abundance in these Chola paintings..". If Chola art is to be accepted as a great work of art, it needs to be seen by all. How many of us had the privilege to be allowed into the dark circumambulatory passage around the sanctum of the Brihadisvara temple, where the paintings are found? Perhaps very few. Of course, all could not be allowed in there due to paucity of space and delicate condition of the murals. Therefore, ASI launched a documentation project to photograph these murals so that an exact photographic reproductions can be kept on view. The task turned out to be a tough one with many challenges to surmount. This presentation will highlight how the task was accomplished and how now we are in a position to realise Sivaramaurthi's words are true.

Talk 2 In appreciation of Chola mural: A close look at the panel of Episodes from Sundarar's Life
This lecture will closely look at a panel which must have been cherished by the king himself. The choice reflects the desire of the king to be treated on par with Sundarar who is the cherished friend of the God. Even otherwise this panel throws out a plethora of information on the contemporary life. We will be looking cl0sely at this panel. 

About the speaker:
Thiru Sriraman has a post-graduation in Ancient History and Archaeology and a PG Diploma in Archaeology, and is presently an Assistant Superintending Archaeologist with the Archaeological Survey of India. He has rich experience in his field. He has conducted several excavations at Banahalli, a proto-historic site in Karnataka, Gingee, a medieval site and Mahabalipuram, an early historical site. He has explored several regions in Karnataka and Tamil Nadu leading to the discoveries of several important archaeological sites. He was instrumental in the reorganization of the sites museum at Lothal, a Harappa Civilization site, the Fort Museum, Fort St George Chennai including the new gallery on Prints.
He has conceived, designed and organised the Interpretation Centre at the Brihadisvara temple, Tanjavur and conceived, co-ordinated the Documentation of Chola Murals at Brihadisvara temple at Tanjavur and the Surface features at Kailasanatha temple, Kanchipuram.
Thiru Sriraman has published a number research papers in reputed journals, has designed and conceived several brochures and handouts for monuments of South India and is currently enganed in writing a book on Chola murals.

Ananda Coomaraswamy: An Introduction by K.R. Satchidanandam

TAMIL HERITAGE GROUP
A Movement for Preservation, Documentation and Sensitisation of our Heritage
This month’s programme will feature a talk on
Ananda Coomaraswamy: An Introduction
by K.R.Satchidanandam
on 4th April (Saturday) 2009 at 05.00 pm

Ananda K Coomaraswamy
Ananda K Coomaraswamy was born in Ceylon (now Srilanka) on August 22nd of 1877 as the only son of Sir Muthu Coomaraswamy and an English lady Elizabeth Clay and grew up in England. He was a multi-facetted researcher, scientist, linguist, expert on culture and art, philosopher, museum curator and author.
“Study of the traditional arts of the Orient and the Occident to the philosophia perennis is the personal history of this man.”

A prolific writer, who has authored 95 books, contributed 1815 articles to anthologies and periodicals on arts, architecture, sculpture, metaphysics etc.

AKC can be studied from various perspectives, namely, as art historian and philosopher during the formative period of first forty years and as metaphysician and social critic in the later part of his life.

K. R. Satchidanandam
A writer and speaker he specialises in the cultural history of India as outlined by Ananda K Coomaraswamy in his writings. He has been visiting places of cultural importance, museums and monuments of archaeological importance in India to have a firsthand knowledge and experience. He has presented papers in seminars and lectured in small groups in London, Paris and Halle. He has built a personal library of AKC books and articles.
He has ten books to his credit and has been intimately connected with Tamil magazines of importance.
‘The Wit and Wisdom of Ananda Coomaraswamy’, a book of quotations of one thousand pages taken from more than ten thousand pages of AKC’s writings is awaiting publication for want of financial help. The book is arranged subject-wise and in chronological order giving sources.